![]() ![]() “New” means that a program is new to this list, but the program itself may or may not be new. “?” means I’m guessing about deadlines based on previous years’ programs.Ĭheck requirements early as some applications will require multiple essays and a lot of time to complete. Many of the dates listed below are from previous years and may not be valid for 2023. Some programs have early, regular, and late deadlines with increasing fees, so you can sometimes save money by entering early.Ĭheck websites for the current deadlines. Programs may be changed, discontinued, or not offered every year. To suggest edits, additions, or deletions, please contact me with the details. ![]() Reddit/TVWriting has a well-curated list of TV-related fellowships, along with updates, tips, and resources for applicants.įor additional resources, see the Sundance Inclusion Resource Map and the list here. However, winning one of these for-profit contests may sometimes advance a writer’s career. Many for-profit contests (most of which I don’t list) offer only a very small chance at a monetary prize (in exchange for a hefty entry fee) and maybe a spam press release (deleted, unread, by industry recipients) announcing the finalists/winners. You can also pay for professional reviews from a site like The Black List or hire someone like me to help make your script better. If you want to see if your script is competitive before entering, you could consider getting free peer feedback from a site like Zoetrope, reddit, CoverflyX, etc. Some programs (including the Nicholl) offer script feedback, but most don’t. Most programs outside the US are only open to people in those countries/regions. Most programs in the US are open to writers all over the world. It’s usually a waste of time and/or money to enter a first draft. The best opportunities are highly selective and can have thousands of applicants for a handful of slots. introductions to industry professionalsĪnything that’s free to enter may also be worthwhile, if you qualify.script feedback and workshopping (more than just written notes).effective promotion of top scripts, leading to read requests.industry-recognized validation of script quality that can help a writer get a script read and/or help a writer get represented.I define “worthwhile” as providing one or more of the following: Here are some thoughts on whether screenwriting contests are worthwhile in general - and why. However, I don’t have personal experience with most of them. This is a list of screenwriting opportunities that I believe are worthwhile. ![]()
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